Bali has an interesting
landscape. Underlying everything is green: grass; trees; moss. This green is punctuated with bright, colorful, tropical flowers. Most
buildings give the impression of being gray because many are either stone or
unplastered concrete blocks; some are a red-orange brick combined with stone.
Roofs are red tile; bamboo; palm thatch; sheet iron. Since it rains so much.
almost everything has a weathered appearance. Houses are more vertical than
horizontal; many are three stories. Some have walls all around the "lot." Various peaked and curved
roof lines poke above walls as temples and shrines are everywhere. In some
places, blocks of shops, each a garage door wide, line the roadway. Some houses
have shops in front and living quarters in back. Entrances to quite a few
temples were decorated with fabric, flowers and paper to designate a wedding, a
cremation, or a tooth-filing ceremony. These decorations were huge banisters in
a scroll shape which provided a welcoming entry; some also had banners and/or
pennants.
The Jimburan
Puri Hotel was right on the beach.
We reached Uluwatu Temple and headed for the admission area. We walked a paved pathway along a cliff overlooking the Indian Ocean. There were lots of ups and downs with steps galore. Our goal was Uluwatu Temple itself perched on the promontory overlooking the sea. Along the way were monkeys which snatch jewelry, hair ornaments and eye glasses. We never saw a theft happen but did see people trying to retrieve eye glasses and saw another monkey holding a pair. Of course, some people feed the monkeys and that encourages their pranks.
We could only make photos of the temple gate over the wall as it is only open for worship. Then we went to an amphitheater to watch a Kecak Dance based on the Ramayana. A performer lit a candelabra stand like fixture in the center of the stage area and another gave an introduction. No music is used; only chanting. About 50 men entered chanting "cak-cak-cak..."and formed circles and performed choreographed hand, foot and body movements. As they formed concentric circles around the flickering fixture, a female dancer in typical Hindu costume appeared. A few other dancers joined the performer while the chorus continued its "music."
We enjoyed seeing the various
rooflines as we rode along; because the top of the head is sacred to Balinese,
many buildings have a crown or some other structure on the peak.
We stopped at
"Kartika Chandra Batik Centre" where we saw a demonstration of
creating batik designs.
A typical Balinese house which
is sort of like porches arranged around a courtyard. This one serves as a
storefront for their spice and coffee plantation in the western mountains and we
enjoyed seeing examples of plants: arabica coffee; balinese coffee; java
coffee; ginger; ginseng; lemongrass; cocoa. Seeing the luwak and learning how
luwak coffee is made fascinated. The luwak, an Asian Palm Civit cat, eats the
coffee beans for their fleshy pulp and excretes the kernel of the bean which is
collected, washed, roasted and ground into coffee. Supposedly, the luwak only
selects the best beans and that makes for better coffee.
We drove farther and higher
and stopped in Ubud itself at a painting workshop---huge paintings on canvas in
all styles.
The Maya Ubud Hotel and Resort is located in the interior of the island.
A cool breeze blew across the balcony and we sat
outside watching a hotel employee climb a three-story-tall-bamboo-ladder to
trim a palm tree. Once atop the ladder, he climbed on up into the tree itself
to continue the job. Quite entertaining.
Goa
Lawah is a
Hindu temple built in front of a cave of bats. We had to put on sarongs and
sashes to enter the temple itself. A service performed after a cremation was
beginning. We went to an area to the side where we could peer into the upper
portion of the cave and see some bats; there was also a huge python in a
crevasse in the ceiling. The python eats bats when its hungry and never has to
leave the cave.
The second stop was at Tenganan Village, famous as an ikat
(geringsing) weaving center. Although we had specified this stop, it was a big
mistake as this is a tourist trap. Nobody was weaving as all were "resting
for a while." The history of the village itself mandates that only members
of the founder's family can live inside it; inbreeding is mandatory. Everyone
was just idling around waiting to take tourists' money. We found the fighting
cocks, which were dyed in colors like pink; yellow; green, interesting
Then we turned up into the
mountain and began driving roads which twisted, turned and wound their way up
and down the mountains. Some areas could be called switchbacks; others hairpin
turns; some could only be classified as U-turns. Every road was paved with
asphalt and there were very few potholes. In some places, irrigation canals
were under construction along the roadway's edge; they had stone sides,
concrete bottoms and a concrete lip and appeared to be about 3 feet deep and 12
to 18 inches wide. The area was lush and green. We saw many rice fields on
terraced mountainsides. The day showed rice in all stages of production: plowed
muddy field; flooded field; growing plants; ripe grain; harvesting; drying.
Each village had at least one temple, but individual houses had at least one
shrine situated on the side closest to the volcano. Huge trees, many wrapped in
black and white checked fabric, are venerated. Also, many statues of Hindu gods
were wrapped in fabric and most had offerings in front of them.
At Panglipuran Village we used
umbrellas and waded water to see a Balinese house and the village temple. All
structures were constructed of stone.
Other than rice farming, the main
industry in the area was taking raw lava rock and cutting it into uniform
blocks with a hand-held circular saw. Many buildings are constructed of this
stone and the "dust" is swept up and used, too. We noticed that all
the people were working at some job and nothing seemed to be gender-specific.
At Batubulan Village they performed a Barong and Kris Dance performance. The costumes were beautiful and
the story is a Balinese-Hindu one of the battle between good and evil.
We left when it was over at
10:30 and drove to Legong Batik where
we saw a lady using an ikat loom to weave fabric; the multi-colored thread for
the loom seems to be dyed like Brazilian embroidery thread
Knowing that we prefer to see
the countryside, they took us over country roads and through villages as we
made our way from place to place. At one place we saw a river channel about 4
or 5 stories deep; women were placing 3 or more pieces of sandstone about 2
feet square and 6 or 8 inches thick atop their heads and walking from the
riverbed up to the roadway.
At one spot, we could see Bali's two major
volcanoes, Agung and Batu, and
stopped to make photos. They last erupted in 1963 and it was a simultaneous
eruption.
At one rice field, people were winnowing rice; one using a basket and
the other simply dropping the grain by hand. We walked down a paved walkway
among fields to see the irrigation system at work. Not too far away hundreds of
white herons were feasting on some insect or animal in that flooded paddy.
Sukawati
is a village of woodcarvers. We saw the process and learned
the different kinds of wood used. We had no idea that yellow hibiscus grew into
a tree with wood that had greenish streaks nor had we ever seen a crocodile
tree, so called because of its bark
We drove into an area devoted
to producing vegetables and fruits. Mandarin Oranges were ripe and filled
baskets at the fields' edges. Roadside stalls had pyramids of fruits and
vegetables arrayed on counters. Huge poinsettia trees bloomed red in the
landscape.
The closer we got to the
restaurant for lunch, the more it rained and the foggier it became. When we
arrived at Kintamani Restaurant, the
fog wrapped the building like a blanket. While we were enjoying our buffet
lunch, it began to lift and we enjoyed a panoramic view of mountains, lake and
valley. After lunch, we made photos of Mt.
Batu, the volcano which was on the opposite side of the restaurant. It,
too, had a lake at it's base. An area of black lava, remnant of the 1963
eruption, covered a portion of the base at one side; this serves as a quarry
for the lava stone used in construction. On the way back toward Ubud, we
stopped and made some more photos of volcanoes, fruit and rice fields.
At Tirta Empul, a holy water temple, a spring bubbles up into a pool
with the water channeled into fountains at another pool; bathers use this pool
to purify themselves. The temple itself was an interesting one and a service as
just beginning. On a hilltop overlooking the temple, sits the home of Sukarno,
Indonesia's first president.
After touring in Bali, we flew to the island of Java.